This course examines how architecture and urbanism is represented in film and investigates how film influences and constructs the architecture of the city. Emerging as a twentieth-century phenomenon, the modern metropolis is the site of the most radical experiments of architects and planners, and an active subject in the imagination and actions of its diverse inhabitants. Film has a close relationship with the city and its architecture. How does architecture use its structure, form, enclosure, floor plans, materials and lighting to produce effects, evoke emotions and influence everyday lives? Likewise, how does film use space, architecture and landscape to situate its characters, create dramatic action and emotions?
Focusing on popular film genres of postwar modern industrialized Hong Kong and other Asia cities—the melodrama, noir thriller, monster movie, sci-fi dystopian fantasy, comedy and crime drama—the course offers a cross-cultural perspective on how films have envisioned urban transformation due to the flows of capital, people, ideologies and imageries. It attends to how movies produce and reproduce the image of the city, their effect on the built environment and how they impact everyday experiences and perceptions of the city they live in. Through in-class analyses and discussions of film clips and stills, city maps, building floor plans and texts, the course aims to deepen students’ understanding of how architecture and film influence each other, how they reveal social relations and construct narratives of modernity in the twentieth century. Class readings are drawn from film studies, urban history, globalization studies, and architectural history.
The main objective of the course is to cultivate students’ ability to observe, read, document and analyze the contemporary built environment through the double perspectives of architecture and film, informed by a historical awareness of their respective and overlapping traditions and influences. Students will acquire new analytical skills to understand urban transformation in the dynamic development contexts of the world. They shall develop their visual, writing and critical-thinking skills through thematic lectures, discussion of texts, methods workshops and guided fieldwork.
1. What are the relationships between architecture and film?
2. What are their similarities and differences in the presentation of the city – its forms, spaces, processes and people?
3. How do films produce and reproduce the image of the city?
4. How do these films impact everyday experiences and perceptions of the city we live in?
5. How do cross-cultural perspectives influence how films have envisioned urban transformation due to the flows of capital, people, ideologies and imageries?
6. How has the global city been represented and imagined?
Assessments include classroom participation in lectures and workshops with activity worksheets, critical writing responses to historical and theoretical texts, field trips with fieldwork exercises and an audio-visual essay and commentary.
The course content is organized around sets of case studies, with each focusing on a specific theme that indicates particular continuities and congruencies between cities of different locations and time periods. The discussion throughout the course engages with questions related to contemporary urbanization and consider how historical knowledge may impart a better understanding of challenges we are facing in the global present.
Assignments of the course include a series of exercises that combine historical research and creative writing. The formats of these exercises vary from year to year. The goal is to enable students to connect the tangible and intangible aspects of cities and the built environment and to strengthen their textual and visual skills. The course also includes a final project that involves an in-depth research of one city.
Course Website: https://learning.hku.hk/cchu9048/
This seminar provides an introduction to the intertwined concepts of environment, community, and design and explore the contexts that shape their relationships in diverse localities. In contrast to conventional taught courses, significant emphasis of the seminar is placed on student-led activities designed to facilitate active learning through rigorous participation. Weekly seminar topics are structured to provide a systematic introduction to key debates over the ethics and social roles of design practice and explore the nature of emergent “design activism” in recent years. It also introduces students to different methods of studying the built environment and communities.
Throughout the semester, focus is placed on connecting theoretical concepts with actual practices via close examination of international and local case studies. The ultimate purpose is to help students develop a critical lens for deciphering the complex forces that shape the built environment and the ethical challenges facing today’s design practitioners.
Walter Benjamin’s spent much of the later part of his life as a German immigré in Paris. The city not only served as a place of refuge, but was also the material for some of his most important writing on subjects including art, politics, consumer society and the city. The unclassifiable nature of his work is attested to by his influence across academic disciplines, making him one of the most important figures of early modernism. Benjamin’s time in Paris culminated in an unfinished collection of notes and essays that has come to be known as The Arcades Project. Comprised of fragmentary texts from his research at the French National Library, The Arcades Project examines the material evidence of the forces (political, artistic, philosophical, urban, consumer….) that created “the capital of the 19th century”. In its unfinished, fragmentary state, The Arcades Project proposed a new way of reading the city whose form has been as influential as the arguments that ensue.
The course takes The Arcades Project as a model for reading urban experience. Students will look closely at the text (including sources such as Baudelaire, Bergson, Proust, Corbusier and Giedion) and the themes that structure Benjamin’s work (flanerie, boredom, iron construction, the interior, advertising, photography, Baudelaire, etc.) with weekly discussion that examines his work against close readings of the texts that influenced him. Through this intertextual analysis, the course will look at how the modern city comes into being as a social, consumer and physical space.
In parallel to this analytical work, and with the understanding it provides of the strategies employed by Benjamin to read Paris, students will undertake iconographic and textual research on contemporary Hong Kong guided by a precise thematic. This research (of sources gleaned from literature, politics, city planning, advertising, etc.) will lead to the compilation of a folio of fragments and original writing that proposes a reading of contemporary Hong Kong. Together the students’ contributions will make it possible to ask questions about the continuing relevance of Benjamin’s work — and of the 19th century European city — for urban experience in Hong Kong today.
-Gaston Bachelard, Air and Dreams: An Essay on the Imagination of Movement (Paris, 1943; republished, Dallas: Dallas Institute Publications, 1988)
This course explores the role of air in the history of modern architecture. Often overlooked as an influential factor within the design of architecture, air has long figured prominently in theorizations of architectural and urban form. As air has impacted architecture, so has architecture given shape to air. Air’s shifting meanings over time, and in relation to a range of different cultural, political, as well as social contexts, make it an important if overlooked force in how we understand architecture’s relationship to space, human activity, as well as the environment.
Over the course of the semester, we will trace these shifts in the definition and understanding of air – as vapor, as matter, as atmosphere – and the impact of those shifts upon architectural design, discourse, as well as practice. Through our study of air, students will be introduced to a range of influential projects, writers, buildings, sites, and texts in the history of modern architecture. These examples effectively constitute a conceptual history of air that students will use as the basis for their own research projects.