Blade Runner

Related Staff : Geraldine Borio, Roberto Requejo Belette

Student: Guo Yu Gracie

Thesis Abstract

Blade Runner (1982) and its sequel Blade Runner 2049 (released in 2017) are set in a dystopian future where humans live in a high-tech but low-life environment with synthetic humans called replicants as their slaves. The film was regarded as one of the best science fiction films for speculating a retrofit future. Similarly, architects always concern with contemporary issues and project a future. The thesis explores the potential of a film serving as a site of analysis and speculation for an architectural proposition. If both film and site can become a territory subject, what are the implications of relying on a fictitious territory as a generator for the design of spaces?

Based on the film context, the analysis focuses on the timeline, storyboarding and scenes where the story plays out and then a missing scene is identified as the potential of an expanded story. The design is to construct a narrative with a greater scope than real projects. It is a design of the universe, a speculative reality with urbanism, architecture, interiority along with characters all serve as components of the narrative.

Enlarge Photo: Blade Runner 1Enlarge Photo: Blade Runner 2Enlarge Photo: Blade Runner 3Enlarge Photo: Blade Runner 4Enlarge Photo: Blade Runner 5Enlarge Photo: Blade Runner 6Enlarge Photo: Blade Runner 7Enlarge Photo: Blade Runner 8Enlarge Photo: Blade Runner 9Enlarge Photo: Blade Runner 10